Lyo: The Harmonic Co-existence
Work Phygital by: Roberta Pontrandolfo
Subject: The Union and the Gilanic Flow The work Lyo represents the culmination and resolution of the Gilanic cycle. The name itself recalls the act of "dissolving" and "liberating", alluding to the dissolution of rigid boundaries and hierarchies.
If Gynè was the nucleus and Anèr the plastic force, Lyo is the space of encounter, the life flow in which the two archetypes merge into a new, superior unity.
The composition is finally freed from any separation residue. The white, black and grey fields lose their individuality to become part of a single rotating and enveloping movement.The wise use of gold no longer acts only as a frame, but as a sap that runs through the entire canvas, welding the forms in a dynamic balance that suggests infinity. The ochre and gold background, punctuated by references to cosmic blue, envelops the central figure, making visible the harmony between the human and the universal.Lyo embodies the "partnership" model. There is no longer a "before" and an "after", nor an "above" and an "below". The forms intertwine in an embrace that is both protection and freedom, reflecting the structure of a society based on cooperation rather than domination.With this work, the journey to the Origin reaches its destination. The origin is not a static point, but the ability to flow together.The artist's catharsis is completed here: in the sign that one takes a choral breath, where the self melts to find itself in the we.
Within the triptych, Lyo serves as the final synthesis. While the first two panels lay the foundations of the archetypes, the third celebrates their peaceful coexistence, offering the viewer a vision of hope and universal balance.
"Lyo is the moment when the self and the other stop being boundaries to become common horizons. It is the triumph of life that is recognized in its totality.
Lyo: The Harmonic Co-existence
Work Phygital by: Roberta Pontrandolfo
Subject: The Union and the Gilanic Flow The work Lyo represents the culmination and resolution of the Gilanic cycle. The name itself recalls the act of "dissolving" and "liberating", alluding to the dissolution of rigid boundaries and hierarchies.
If Gynè was the nucleus and Anèr the plastic force, Lyo is the space of encounter, the life flow in which the two archetypes merge into a new, superior unity.
The composition is finally freed from any separation residue. The white, black and grey fields lose their individuality to become part of a single rotating and enveloping movement.The wise use of gold no longer acts only as a frame, but as a sap that runs through the entire canvas, welding the forms in a dynamic balance that suggests infinity. The ochre and gold background, punctuated by references to cosmic blue, envelops the central figure, making visible the harmony between the human and the universal.Lyo embodies the "partnership" model. There is no longer a "before" and an "after", nor an "above" and an "below". The forms intertwine in an embrace that is both protection and freedom, reflecting the structure of a society based on cooperation rather than domination.With this work, the journey to the Origin reaches its destination. The origin is not a static point, but the ability to flow together.The artist's catharsis is completed here: in the sign that one takes a choral breath, where the self melts to find itself in the we.
Within the triptych, Lyo serves as the final synthesis. While the first two panels lay the foundations of the archetypes, the third celebrates their peaceful coexistence, offering the viewer a vision of hope and universal balance.
"Lyo is the moment when the self and the other stop being boundaries to become common horizons. It is the triumph of life that is recognized in its totality.
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